Forging the Sword; The End of ‘Siegfried’ Act I
Even with the Long Call aside, playing principal horn in Wagner’s horn-tastic opera Siegfried is nothing short of a Herculean task. To help reinforce and illustrate that notion, today’s article features a few samples from Siegfried, Act I/Scene III.
Scene III begins with the hero Siegfried becoming persuaded then determined to reconstruct Nothung, a mythical blade that has been shattered into several pieces. His evil mentor Mime lacks the skill to restore the blade himself. It can only be fixed by someone who knows no fear.
Motivic noodles
Of course, we already know that Siegfried is the prime candidate to fix the sword. Early in this scene there is a long dialogue between the dim-witted Siegfried and the manipulative Mime.
Perhaps suggesting the energetic pace of the dialogue, the harmony gets very active. The horn call motif gets tossed about in a number of keys.
This development continues for several pages.
Later, one encounters (what was for me at least) one of the most confounding passages in the entire Wagner Ring Cycle.
The gauntlet
This excerpt is in E horn, at a tempo of about 110-120 bpm. The orchestral context can further compound the difficulty level.
These passages are a excellent illustration, of why it is important to practice your Siegfried call in a variety of keys and patterns.
Motif soup
As the scene advances towards Siegfried himself forging the magic sword, a number of motifs from previous operas are thrown in and mashed together. A few can be seen here:
Finale
The act ends with an exuberant Siegfried holding the repaired sword high in the air. This is the same sword that will be used to kill the magic dragon in Act II.
The tempo at the prestissimo is in one, at about 100-110 bpm. This too is one of the trickier passages in the entire Ring cycle – it is at the end of a long act, it is loud and it requires some tight fingering control.
Thus ends Act I of Wagner’s opera Siegfried.
This by the way, is all music for the principal horn to digest way before the Long Call which is still two more scenes away!
Please see our terms and conditions for information on sharing and fair use.
712 articles: BRUCE HEMBD is a web marketing developer by day who plays French horn professionally at night.» More information about Bruce Hembd » More articles by Bruce Hembd » Contact
Related to this article
- Slaying the Dragon; Before & After the Siegfried Horn Call
For the French horn player, there is lots of fun playing to do in the opera Siegfried from Wagner’s Ring Cycle. This composition, in my opinion, should always rank high in any hypothetical list of top classical compositions for French horn. Of course for starters, there... - Siegfried Horn Call – The Back Story to a Famous Horn Solo
UPDATE: May 5, 2010. YouTube has removed the Bugs Bunny cartoon that features the horn call in F# major. A while ago, I had the pleasure to perform the complete Ring cycle several times with Arizona Opera, with Joe Berger as principal horn. I cannot say... - Mini-Poll: Siegfried Horn Calls
When searching on YouTube or Google for the famous Siegfried Horn Call, three performers consistently show up: Hans Pizka Annamia Larsson Helene Tomböck Which is your favorite? Vote on your favorite below in this completely unscientific and anonymous poll. In other words, this is just for... - A Collection Siegfried Horn Calls on Video
Originally posted as a sidebar, this feature has been migrated to a dedicated page. Use the “continue” link below to check it out. Including plot synopsis and staging. Select MENU to pick and choose. Get the sheet music here. See also the blog post “Siegfried –... - An Operatic Horn Resource
Resources for opera excerpts are scarce. I just found a resource – new to me – for operatic horn excerpts: http://thehorninopera.com/ This is a CD (no sheet music) produced by Richard Chenowith that demonstrates the most requested operatic horn excerpts. While many specific symphonic excerpt and...
Dvorak on the Natural Horn?
The Mouthpiece Wheel of Doom
My Wagner Tuba Page
