Archived under: Entrepreneurship, General
Horns as Stage Props, I (Wizzard)
Last week a video came across the radar of English rock musician Roy Wood and his band Wizzard.
I must admit that while I had never directly heard of Roy Wood, I tangentially knew of his work through his early years in the Electric Light Orchestra.
As an example of musical entrepreneurship, Wood sets a fine example of an active and creative musician who thrived in the business for many years after his initial successes. After a short stint with ELO, Wood went on to form several other bands including The Move and Wizzard. He remains active to this day.
Baby jive
This video features Wood as the front man for Wizzard, performing “See My Baby Jive.” There are multiple versions of this song on YouTube – dating from the late 1960′s to more recent concert versions.
In all the early versions, Woods holds a French horn – more-or-less as a stage prop. In this particular version he even manages to pull a few surprises out of the bell.
Although Wood does not play any notes, it is an interesting statement that the French horn is used in this way. Sometime in the late ’60s to early ’70s there was a significant movement towards using more classical instruments and sounds in rock music.
To my eye, this particular use of the horn as a stage prop is perhaps a tip-of-the-hat to the overall progressive/symphonic rock movement that was gaining popularity in Great Britain at the time.
Related to this article
- Horns for the Holidays
Christmas is coming! A CD that was out last year but I did not highlight then is Horns for the Holidays by Quadre. Their description of the CD reads, Horns for the Holidays, our third CD recorded in 2008, features Hollywood superstar horn player, James Thatcher,... - The Academy Takes the Stage in Tempe
Last night The Academy Drum and Bugle Corps took it indoors for a performance in the Tempe Center for the Arts. This was their first event ever of this type, which was a cross between a Blast! show and a concert featuring guest tuba soloists Sam... - Horn Section Placement on the Stage
I believe that am the type of person who can generally get along with most anyone. The most heated argument I have got into in music was in an orchestra with a principal player of another brass section and it had to do with seating or... - Random Monday: Julius’ Huntsman Rocks the Stage
A Bridge To Nowhere? Ramon Ricker makes a strong argument for being a pro-active musician. Shelbyville gets a brass maker. Nice to see an instrument maker make the news. Dealing with criticism Phil Collins talks about hard lessons and how to turn them around into a... - Random Monday: Answer Fail, Indy Horns, Stolen Horns and Bouncing Czechs
Wrong place, wrong question Yahoo Answers are an endless source of entertainment (click the image at right). My advice? The Yahoo search engine would be a much better place for a student to start. AA Gill reviews The French Horn A namesake restaurant gets recognized for... - Parody: Horns of Different Flavors and American Gothic
At some point, everyone believes that their instrument brand of choice is good and therefore perhaps good for others – this is perfectly natural and understandable. Less understandable is when this preference digresses into intolerance towards anyone or anything that is different or does not agree.... - James at 15
Who is that boy with the silly smile at the railroad park? That is my son James. Fifteen years ago I was third hornist in the Nashville Symphony. We had finished our run of rehearsals for the Holiday Pops concert and it was looking to be a...





