Fun With Scales; The Building Blocks of All Western Music


The Art of Practice, Part III.

pythag speaks Fun With Scales; The Building Blocks of All Western Music Not much is known about the ancient philosopher, mathematician and cult leader Pythagoras but we do have him to thank for a few basics of math and music. He connected music to math and devised a mathematical method of tuning instruments based on a series of pure fifths.

This tuning method was not tempered so to our modern ears it would sound pretty damn awful. However it did carry over to today in another form – as the circle of fifths.

circle fifths Fun With Scales; The Building Blocks of All Western Music

For any musician, knowing scales and the circle of fifths is akin to knowing how to breathe and eat. For horn players it is particularly useful as a reference chart when relating our F-based instrument transposition to concert-pitch.

[A side note: a very cool interactive circle of fifths may be found here.]

Scales are essentially the building-blocks upon which the majority of Western music is constructed. A thorough knowledge of scales relates to recognizing patterns in music and most importantly, to sight-reading.

lady Fun With Scales; The Building Blocks of All Western Music On almost every regional or all-state band and orchestra audition, or any college audition, students are required to perform scales and sight-read.

In short:

KNOW YOUR SCALES!

Theme and Variations

Like long tones, a dynamic approach can help to keep scales fresh and interesting. As a huge proponent of multi-tasking I incorporate as many diverse elements as possible into scale practice – to stir the musical spirit and to get more done in less time.

Some ideas:

    • Utilize the circle of fifths. Rather than practicing scales in alphabetical order, try them in the circle of fifths order.
    • Improvise rhythmic, dynamic and articulation variations and apply them to your scales.
    • Practice scales in skipping thirds, and for an additional challenge, other interval skips.

3rds Fun With Scales; The Building Blocks of All Western Music

    • Perform scales as a melody, mixing rhythms, dynamics and articulations to emulate different styles, historical eras or moods.

expressive scale Fun With Scales; The Building Blocks of All Western Music

  • Play very slow scales in whole notes, in effect combining long tones and scales into one comprehensive exercise. In his Practical Guide, Milan Yancich called this method the “Great Scale.”
  • Download the free notation utility Finale Notepad – invent and printout your own scale exercises.

The basic idea here is to mix-and-match and to challenge yourself to perform the daily scale routine as musically as possible. A scale routine need not be a mundane task like taking your vitamins; with a little creativity it can actually be fun.

Hard-copy scale studies and methods are of course available for purchase, including:

  1. Pares Scales: Daily Exercises And Scales for French Horn

    A basic primer published by Carl Fischer with sections devoted to each key. According to Amazon.com this is out-of-print, but a copy might be found at RobertKingMusic.com.

  2. Schantl: Grand Theoretical & Practical Method for the Valved Horn
    A long and verbose title, but a good method that I learned in college.
  3. Arban: Complete Method
    An exhaustive method with hundreds of scale variations covering a myriad of technical skills. Utilizing transposition skills can overcome its shortcomings of limited keys and range.
  4. Clarke: Technical Studies for Cornet Fun With Scales; The Building Blocks of All Western Music
    Noodles and finger-twisters.

If you have any other suggestions or comments, please post some below.

BRUCE HEMBD is a web marketing developer by day who plays French horn professionally at night.» More information about Bruce Hembd » More articles by Bruce Hembd » Contact

Related to this article


  • How Fast do Your Scales Need to Be?
    I was asked today about what tempos and articulations I suggest students work their scales to. Before I answer, a question–why do we work on scales anyway? They are a very effective form of “cross-training” for performance of music of all types, an important underlying technical...
  • Yancich, Discipline, and Recent Wind Music Publications
    This past weekend at the 2008 Southeast Horn Workshop I enjoyed meeting one of the sons of the late Milan Yancich, Mark Yancich, who is the current owner of Wind Music. He is the timpanist of the Atlanta Symphony; his brother Paul is timpanist of the...
  • When does Warm-Up End and Practice Begin?
    I would propose that practice relates to working on actual music that you need to prepare for performance somewhere, such as for a lesson or for a concert. Warm-up is on the other hand a work-out designed to get you going before each playing session. One...
  • Telemann Wrote a Lot of Music for the Horn
    A few weeks ago a question came up on “the hornlist” about Telemann and his works for horn. Someone asked what else there was out there besides the Concerto in D. A couple things came up in the replies but I did not have time at...
  • Music and the Brain
    A recent study on music and the brain…mmm…brains… A few years ago I took a course on brain development and ever since I have been fascinated by the topic. The brain it seems, is one of the final frontiers of medical science; while recent research has...
  • IMSLP; a Source of PDF files of Horn Music
    Last week in the comments section of a post on The Horndog Blog a link was posted to IMSLP, the International Music Score Library Project, which is a project I was unfamiliar with that is based in Canada; their goal is to post public domain works and editions...

Comments ()


John Ericson & Bruce Hembd
on the French horn, brass related topics, and the field of classical music.