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John Ericson

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Conductors Say the Darndest Things, part I

Earlier this year I had a couple interactions with conductors (not in Arizona) that gave me pause. One conductor, on a work that was...

Things Horn Teachers Say: Not PC on Farkas, and Some Notes on The Balanced...

As noted in part II of this series, most horn and brass teachers that disagree with elements of the Farkas approach to the embouchure...

Things Horn Teachers Say: PC on Farkas

I have begun a project that involves closely reading a number of horn method books this summer. While I don’t at this point want...

Things Horn Teachers Say: Ineffective Teaching

Derek Wright posted recently on something a teacher (not me!) said to him in a first lesson. The teacher asked him “do you have...

Introducing the Mellophonium

One thing that was interesting after my surprise performance of Misty on the Mellophonium at the banquet at the IHS symposium (also described in...

Prejudice and Bias in the Horn World

As noted in prior posts, I have been reading A Devil to Play by Jasper Rees. I went back to it last night and...

Remembering IHS Illinois 1983

My first IHS event was the symposium in 1983 in Charleston, Illinois. That was a while ago, but really in many ways it does...

Review: The Balu Wagner Tuba Mute

Several works call for muted Wagner tuba, particularly by Strauss and Schoenberg. A horn mute will not work and really mutes for any other...

Video: The Horn Solo on “For No One”

On the hornlist recently a most interesting video has been noted, the recording session for the Beatles song “For No One” as depicted in...

Review: A Strap-on Fhrap (TM) for Your Horn

For some years I have used a version of a strap or flipper or duck’s foot on my horn. While the other straps I...