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John Ericson

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Copyright and the PDF Maxime-Alphonse Etudes

Looking over the search terms coming in to Horn Matters I know the word is out that there is a place you can find...

Poulenc Thinks Horn Players Might Drag

This coming weekend I am performing the Poulenc Sextet on a faculty recital at Arizona State, the recital of oboe colleague Martin Schuring. This...

Marketing Blunder: The Holton VD Mouthpiece

This post could also be subtitled “How Not to Market a Mouthpiece.” With the information I have at hand I can’t pin down the...

Why do we have Old Notation Bass Clef?

One of the reasons I love working on the Neuling low horn etudes with advanced horn students is they will not only work your...

Review: A Soft Stand for your Horn

I was recently contacted by the maker of Soft Stands to try their horn stand. Looking at their site, it looked like an interesting...

News Reports on Two Recent Orchestral Horn Auditions

People are always interested in how recent auditions went, and usually the information after the fact is pretty sketchy. However, from the recent Omaha...

Remembering the FARKAS MODEL Mouthpiece

Among all the various classic horn mouthpieces made in the United States one that has had the most lasting interest and impact is the...

The Four B’s of Music

Last night we were treated to a great orchestral concert at Arizona State that featured the four B’s of music. Wait, aren’t there three...

Remembering The Neill Sanders Mouthpiece

One unique and classic line of mouthpieces was produced into the late 1980s by hornist Neill Sanders. Perhaps most remembered for giving a bit...

Who Wrote Mozart’s Horn Concerto K. 412?

This may seem a bit like the old joke, “who’s buried in Grant’s tomb?” but an article in the 2004 issue of the Historic...