SubCategory Archive (tags): ‘Verne Reynolds’
See the complete archive.Hornmasters: Farkas and Reynolds on Sforzando
For those following this series on tonguing closely, while many fine horn players do play with the tongue at the bottom of the teeth and near the lip opening at most or all times, Farkas was strongly against that type of approach. However, in The Art of French Horn Playing he does allow for the [...]
Hornmasters on Average Tonguing, Part V: Reynolds and Hill
To conclude our series on tonguing in general we turn to two more recent American horn teachers. Verne Reynolds in The Horn Handbook ties the action of the tongue stroke to the air and that it all must happen in one, uninterrupted and automatic motion. The tongue stroke and air flow must be timed precisely. [...]
Hornmasters on Legato Tonguing
As a prelude to his general discussion of tonguing in Chapter 9 of The Art of French Horn Playing, at the end of Chapter 8 Philip Farkas kicks things off with a brief discussion of legato tonguing. Legato tonguing involves making a connection between the notes. In a legato phrase the player … must keep [...]
Articulation, Gunther Schuller, Philip Farkas, The Berv Family, Verne Reynolds


