SubCategory Archive (tags): ‘Transposition’
See the complete archive.Horn in H
PUBLISHED: February 28, 2008, John Ericson
A detailed description of bass clef notation for French horn. Since posting a blog on concert-pitch bass clef transposition, I have been getting a lot of Google hits on the topic of “old” and “new” bass clef notation. This style of notation – not related to transposing concert-pitch bass clef music – is distinct to [...]

Sight-reading viola music. At some gigs, you never know what will be put in front of you. Some contractors are either ignorant or care less about what transposition the French horn is pitched in, and will expect you to play from any part handy, regardless of pitch, key or clef. On rare occasions I am [...]

An old trick for reading concert-pitch bass clef. Many times at freelance gigs, I am expected to play at sight all sorts of music – including trombone, trumpet, viola and piano parts. Over the course of my 20-something-year career, I have figured out a few tricks that work like a charm for me. In “Sometimes [...]

The oddball “up” transpositions for the French horn. In the world of Opera there is hardly a dull moment when it comes to the French horn parts – you experience the entire range of possible transpositions. One area of particular confusion, are three transpositions: F-sharp, G, A-flat and A. (Yes, that’s right… I did say [...]