SubCategory Archive (tags): ‘Mutes & muting’
See the complete archive.Brief Review: The GigBag Horn Mute Bag

A new product I was sent recently for review is the GigBag horn mute bag. As the website states, “The GigBag is a carrying case for multiple horn mutes and music accessories, designed specifically for horn players’ needs.” In short the product is very nicely made and comfortably has room for two horn mutes and [...]
Brief Review: The Dämpfer Mitt
Long Before Farkas: Horn Mutes and Other Advice for Brass Players from 1813
Way back in 1813 a comprehensive method book with sections on all the instruments was published, the Vollständige Theoretisch-pracktische Musikschule [Complete Theoretical-practical Music Method] of Joseph Fröhlich. The various instrument methods published inside this work are reasonably well known to scholars (they were also published separately from the full Musikschule), but as described in the [...]
Review: E-Brass Whisper System

This past weekend a colleague in the Arizona Opera orchestra showed me a new horn product. At first glance I honestly thought it was a coffee travel cup. It’s aluminum exterior and shape was almost identical to my coffee thermos. After seeing him put it inside his bell, I realized my mistake – this was [...]
Muted or Open (or Stopped?) in Symphonie Fantastique?

Following up on the topic of stopped horn in Brahms, there is a related issue in the famous “March to the Scaffold” movement of the Symphonie Fantastique of Hector Berlioz. In some editions the part is marked Con Sordino. In some recordings it is played muted, in others it is open. What did Berlioz want? [...]
Composers, Mutes & muting, Orchestra, Stopped horn & other effects





