SubCategory Archive (tags): ‘Gunther Schuller’
See the complete archive.Hornmasters on Double and Triple Tonguing. Part I: Schuller and Farkas
While long considered an essential skill for the trumpet player, double and triple tonguing has traditionally been considered optional for horn players. Gunther Schuller in Horn Technique introduces the topic of double and triple tonguing as follows. Some players are gifted with extremely fast-moving and agile tongue muscles. Others are more sluggish in this respect…. [...]
Hornmasters on Staccato, Part I: Farkas and Schuller
Continuing on the topic of tonguing, we finally turn officially to staccato tonguing. There are speaking broadly two approaches to staccato presented in horn methods. One of those approaches I strongly agree with and the other I can see their point but … well, more on what I think later. First up are two big [...]
Hornmasters on Legato Tonguing
As a prelude to his general discussion of tonguing in Chapter 9 of The Art of French Horn Playing, at the end of Chapter 8 Philip Farkas kicks things off with a brief discussion of legato tonguing. Legato tonguing involves making a connection between the notes. In a legato phrase the player … must keep [...]
Articulation, Gunther Schuller, Philip Farkas, The Berv Family, Verne Reynolds
Hornmasters: Farkas and Schuller on the Slur, Air, and Vowels
We return to the Hornmasters series this time looking at topics related to the lyric side of playing the horn, beginning with slurs, air, and the use of vowels. This article will be longer than average in this series as it allows us to focus in more depth on the contrasting approaches presented by Philip [...]



