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Performance & Playing

The physical side of playing the horn ... beyond the embouchure

Gail Williams on Free Buzzing and Right Hand Position

A topic in a number of lessons this week has been right hand position. Something I referenced in these lessons was the quote in the following post,...

The “Right” Fingering (II)

Continuing from Part I. To recap the general rule-of-thumb for tuning pitches within a chord: The tonic or root note should be relatively "on pitch." The third...

One Cause of Focal Dystonia in Brass Players

One of the most serious problems a brass player can face is that of an embouchure dystonia. Why it is such a hard problem...

A Study on Hand Position: A More Stable High Range and...

I found the link in Random Monday this week to a recent (2009) study very interesting, on the topic of hand position. The title of...

Epstein on the Horn and Summer Vacation

Eli Epstein, besides publishing a new book on horn playing, also has started answering reader questions on his Facebook page. His first post was...

Best Invention Ever: Pencil Clips

One of my younger students was fascinated by my pencil clip. This is really a must have item for the horn player. It is...

Before Farkas: Anton Horner on Tonguing

Kendall Betts in a recent post to the “Ask the Pros” section of the IHS website pointed out a great quotation on tonguing from...

Using the Horn Harmonics device to Find Custom Stopped Horn Fingerings

Several years ago I was given a sample of a wheel-like device for finding alternate fingerings called Horn Harmonics . At the time I...

Mailbag: On Oral Cavity Shape and Pitch Level

Recently on the Horn People group a question was posted that related to pitch centering, and what it was getting at I believe was...

The “Tut Tut” Style of Tonguing in Horn Articulation

Clean articulations using tongue-stopping. With my very first baby steps on the French horn, my big brother gave me the Dennis Brain Mozart concertos album...