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Performance & Playing

The physical side of playing the horn ... beyond the embouchure

Review: Recent Innovations in Stop Mutes, and Notes on Stopping on...

New products are always of interest at Horn Matters. Recently I heard of a new type of stop mute made of wood, the Woodstop,...

From the Mailbag: What is the Full Range of a Descant...

A question came in that wondered if the descant horn can play an octave higher than a standard double horn, with the implication that...

On the Dreaded C on the Third Space, the Best Note...

They have all been off the site for a while, but in the early years of Horn Matters there were a series of articles...

Intonation and Vowel Shapes

Since doing the interviews with Peter Iltis (MRI horn) last summer (more here) I have been pondering a related topic, horn intonation and vowel...

How to Clean Your Horn

The topic of cleaning your horn has come up a few times in Horn Matters, Dave Weiner addressing the topic of having a shop...

Mailbag: Tuning Various Models of Double Horns

This very good question just recently came in, from a music educator: I am seeking any resources on French horn tuning, including diagrams with slides...

On Playing Perfect Intervals and Horn Fifths in Tune

To a certain degree a principal horn is only as good as the second player that supports him or her. A key element in...

On Holding the Horn and Tendinitis

Bruce Richards posted an article very recently to Living the Dream on the topic of horn player tendinitis. Richards and I go way back...

Getting a Solid ‘Leg Up’ on Bell Support: Introducing the SockBlock

When playing within a section, I typically default to an on-leg position; I rest the bell of the horn on my right leg. The...

Extreme Tonguing Techniques

One overall thought from recent auditions and horn performances I have heard is that tonguing is one of the most important technical areas to...