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A closer look at Harry Berv
Working on the articles that became the “Hornmasters” series in Horn Matters, one name and method that had been unfamiliar to me was that...
Hornmasters: Harry Berv on Fingerings
One name not too familiar today in horn circles in that of Harry Berv. He wrote a very interesting horn method, published in 1977,...
Till, Toscanini, and the Berv Brothers
Working in my office, I often listen to old LP recordings. One that caught my attention prepping the office for the semester was Toscanini...
Hornmasters on Stopped Horn, Part II: Schuller and Berv
Stopped horn is an important topic that has to be considered from multiple angles
Stopped horn and half-stopped horn
In Horn Technique Gunther Schuller wisely expands...
Hornmasters on Trills, Part III: Berv and Brophy
One of the most extended chapters of A Creative Approach to the French Horn by Harry Berv is on the topic of “Lip and...
Hornmasters on Mouthpiece Pressure, Part I: Farkas, Fox, and Berv
While the topic was addressed in other chapters of the book, Farkas felt it to be important enough to emphasize that he expanded his...
Hornmasters: Berv and Tuckwell on the Glissando
A topic not mentioned in many classic horn texts is the topic of the glissando. It is a fun effect.
Flick the levers -- with...
Hornmasters on Double and Triple Tonguing. Part II: Yancich, Fox, and Berv
In part I Schuller and Farkas ultimately come across as not being big advocates of multiple tonguing. Today we turn a corner however and...
Hornmasters on Staccato, Part II: Fox, Berv, and Hill
Staccato tonguing is a problem for many horn students. In part I of this article Farkas and Schuller laid out their approaches to teaching...
Hornmasters on Average Tonguing, Part III: Fox and Berv
Continuing our series, we turn to two more Classic horn methods for their notes on tonguing, both of which hit on some ideas outside...