Archived under: Equipment | Intonation, Repairs and Modifications
Short and Long Tuning Slides
Following up on my recent post on Seasonal Intonation Issues, some of you may have noticed that with the change of seasons you have to move your slides around a bit, especially the main slide. The reason why is because temperature impacts the speed of sound; sound moves more slowly through cold air. As a result if your horn is cold it will play flat, or if it is hot it will play sharp.
Here in Arizona over the summer the indoor temperatures I often practice in are a bit over 80 F and in the winter down toward 65, so I am looking at a temperature difference of more than 15 degrees Fahrenheit. Thus I find that my main slide position has to change a good bit from season to season.
As purchased my triple in particular had slides that that to be pulled quite far to be in tune in the summer. I had longer slides made for the horn. The long main slide I later had to shorten a bit, it was too long, but the long high F slide was actually not long enough. Thus the longer high F slide in the photo was made by shifting around slide legs from the first valve slide. Also, while I was working on it, I added the water key.
I almost changed over to the short slides a few weeks ago then it warmed up on me again. We are still hitting daytime highs above 80 degrees F out here in beautiful Arizona! In a week or two it will cool off again and I will switch to the short slides.
One amateur group I used to play in had much better intonation in the winter. I think they thought they got more in the groove or more tuned into each other but I believe it had a lot to do with slide position, the change of seasons, and some of the players keeping their slides the same place all year around. They do move, and you will need to move them to keep your centering feeling the same as the seasons and your performing locations change.
Related to this article
- Cutting Slides
Sometimes you will need to cut or lengthen slides on brass instruments. I have seen this on a number of instruments over the years. Recently I purchased a classic Conn 16E Mellophonium for some jazz experiments. I went ahead and “did the deed” this morning, and cut three... - Feeling a Little Flat Lately?
One thing I think many horn players don’t much take into account is the change of seasons on the pitch level of their instrument. The weather has broken in Arizona. It is great outside but right now the inside of our house is fifteen degrees cooler... - Seasonal Intonation Issues
The seasons are changing. One thing I have seen little remarked upon but something to keep in the back of your mind is that when playing a brass instrument in a cold location your instrument will play flatter than in a warm location with the slides... - The Art of Practice, Part II: Long Tones
The oft-neglected long-tone. In Part I of this series, I gave an overview of three basic components of the daily practice routine: Long-tones Scales Arpeggios With the students that I teach, without a doubt the most neglected component of their daily practice is long-tones. And... - New video resources on tuning the horn
I am presenting a session on tuning the horn at AMEA on Saturday. In preparation I was looking online for any new resources on the topic and discovered a series of 23 short videos for young hornists and music educators by Katherine Liesener. The whole series... - What is a Compensating Double?
Over the years a number of times the topic of what is a compensating horn has come up for me a number of times. In the early years of the use of the double horn this type of horn saw much use. A few posts ago... - Play Long Phrases when Warming Up
An observation in the Randall Faust group warm-up session at the recent Keith Johnson horn retirement event was that I found myself playing longer phrases than most of the other other players present. It is easy on the horn to get by “under the radar” with...





