Thinking About Fingerings


Frequent site visitors know that this past year I have had a project to improve my B-flat horn fingerings. It really has been a challenge; I was not taught to use B-flat horn fingerings in the lower range. They are getting better but I do feel like the proverbial old dog learning a new trick.

Ericson Brain small2 Thinking About FingeringsListening to the new collection of recordings of Dennis Brain, it is very interesting to listen to his very early recording when he played the single F horn, and then compare it to all the later recordings that are on single B-flat. I was recently testing it out with this horn, owned by Arizona State University, a Hawkes horn with piston valves from the early 20th century. It has crooks for most every key and the slides can be adjusted for F or for B-flat. It is not the same as Brain played but generally similar. I mostly had ever tried playing it in F, but I put on a B-flat crook again a few weeks ago after hearing the Brain recordings and wow, there is such a difference! It really is much easier to play in B-flat, a fact that must not have escaped the notice of Dennis Brain. He must have however had a transitional period that was a brief, big challenge to switch from F to B-flat fingerings. There is a deep “default mode” to fingerings and it takes anyone at least a little while to make that adjustment. But I will add this observation, as I am making a similar adjustment now; there are passages that I feel like I practically can’t miss on B-flat horn fingerings if I get the fingerings. Accuracy is certainly improved and this fact is something that keeps me going as I work on getting the new fingerings down.

JOHN ERICSON has wide-ranging experience as an orchestral player, soloist, and teacher.» About John Ericson » More articles » Horn Notes Edition » Contact

Related to this article


  • Pitch in Relation to Fingerings
    A topic that has come to mind for me recently is facility in the use of alternate fingerings. Some teachers really push this, especially facility in B-flat horn alternate fingerings. But my teachers did not. Which is fine but, as a result, I have at this...
  • Fingerings Above High C
    The topic of fingerings above high C for standard double horn came up for me last week in one of the master classes in Kansas and came up again this morning in the form of a note from a blog reader. Most fingering charts end at...
  • Fingerings and Notations for the Single B-flat Horn
    Exactly how to think of fingerings and notations for the single B-flat horn is a point of confusion for many music educators. I believe this is a topic not covered well typically in a methods class. A horn player reads from F horn music only, no...
  • Learning B-flat Horn Fingerings with Louis Stout
    A topic that has come up in several lessons recently is that of learning B-flat horn alternate fingerings in the middle register where I would at least normally us the F horn. It is important for horn players to learn these fingerings in this range, which...
  • Fingerings in the Low Range
    A topic that comes up pretty often teaching is that of what fingerings to use in the low range, specifically in the range from F below the staff to the C-sharp below that. I teach a somewhat flexible approach to these notes, depending on the context,...
  • It is not “Cheating”
    Many of us learned horn in a very standard way for the United States, double horns with “standard” fingerings (F horn from G in the staff down) and larger mouthpieces by Giardinelli and Holton. This was very much my background, one in which it would have...
  • A Horn Like Dennis Brain Played
    This past week a new horn arrived in the mail which has been most interesting to play. Last summer was the first time I had ever given a single B-flat much of a trial, and I used one on a work on my fall recital, playing...

Comments ()


John Ericson & Bruce Hembd
on the French horn, brass related topics, and the field of classical music.