Archived under: Performance & Playing | Articulation, Multiple Tonguing
Triple Tongue with the Metronome
As a hornist you can go a while between times you perform works that you really have to triple tongue. Composers and arrangers tend to not call for triplet passages that are fast enough to require triple tonguing in horn parts. But occasionally they come up; you have to have this technique worked out.
For me I have some triple tonguing coming in an upcoming performance. It was not obvious as I first worked on the music, as I was not using a metronome. When I went into it this weekend with the metronome however, it was clear I would have to triple tongue the passages in question and get the triple tonguing going again right away.
If multiple tonguing is a technique you have never worked out well there is no way around it, you will have to work this out sooner or later. Get to it now to avoid the crunch time later.
Related to this article
- Don’t Put off Learning to Double Tongue
This weekend I got busy working on the five newly composed etudes by Douglas Akey that comprise the AMEA Arizona Band and Orchestra Directors Association regional and all-state festival audition materials. The ASU CMENC chapter (Collegiate Music Educators National Conference) wishes to record these to put... - Triple Horns are Taking Over
Every month I am sure triple horn history is being made in the USA; at the professional level triples are being used more and more. This week in January of 2007 marked a new milestone in triple horn use in Phoenix; four of the seven horns... - Philip Myers on Playing a Triple Horn
I recently noted a link to a 1998 interview with Philip Myers, Principal Horn of the New York Philharmonic. He is a very notable advocate of the triple horn and explains at length his reasons. This reason for me really sticks out above the rest: Accuracy.... - Pet Peeve: Know Your Tempo
Horn teacher pet peeve no. 3: students who don’t know their tempo. By this I mean know what metronome mark you are shooting for in any work you are serious about learning. Because if you don’t know your metronome mark it basically says to your teacher... - Bobo on Tongue Placement and Articulations
Another blog I enjoy reading is that of tubist/brass legend Roger Bobo. Currently at the top of his blog he has a series of great posts on aspects of brass playing, including breathing, articulation, embouchure, vibrato, and pianissimo playing. There are many useful passages worthy of quoting,... - Quote of the Week–Fox on Tongue Position
Here is a topic that is very important to horn players but little discussed, tongue position changes by register. We have discussed the fact that the tongue position goes gradually to the “eee” sound in the higher registers. However, when playing in the highest possible range... - Hickman on Tongue Arch
The topic of tongue arch and tongue position in the very high range came up for me recently, and in looking into resources at hand I again turned to Trumpet Pedagogy, a publication by David Hickman. While in this he presents a wide variety of systems...





