Archived under: News & Announcements | Arizona State University
ASU Wind Bands on the Cutting Edge
This semester marks the beginning of a new era in wind bands at Arizona State, described in the article “School of Music takes on concert experiment,” posted in the main ASU website. Students will audition as normal but
After the audition, they will get to choose from the more than 20 ensembles on the schedule for this year.
Each ensemble will rehearse for three weeks, then the members will rotate into another ensemble. This process will be repeated throughout the year, giving the students a wide range of musical experience.
Such traditional ensembles as the symphonic band still will exist, says Gary Hill, director of bands, but it won’t be the same students sitting in the same chairs for an entire semester or year.
Instead, the band directors will gather students to rehearse and play the concert band repertoire as needed. Those same students then will rotate to smaller ensembles, such as wind quintets, contemporary and world-music combos, studio bands, or single-instrument groups such as an oboe choir.
It will not be the typical “bandy” band experience seen at most colleges; the reasoning is laid out in the following section.
The idea for offering a large variety of ensembles and having students choose which ones they are interested in came from many discussions among the wind-instrument faculty.
“Our students are going to make a living in many ways,” Hill says. “Our belief is that they will be required to do a lot of things rather than be specialists. That’s why we want our curriculum to be as fluid as possible.”
Part of that flexibility is having students comfortable with playing a wide range of repertoire.
Hill describes wind music as being part of a continuum, ranging from large performance ensembles such as concert bands, which are restrictive in terms of instrumentation, to small groups that are more flexible and may use improvisation, for example.
“We are trying to get farther down the flexibility spectrum,” Hill says.
The new concept of flexibility and change, with most projects being three weeks long, will be much more challenging for the students – and faculty, too, Hill says.
There will be a lot more music to learn, and the band directors will have to work speedily to bring the ensembles to performance level.
Read the entire article for more details on the wind band program at ASU.
Related to this article
- Yancich, Discipline, and Recent Wind Music Publications
This past weekend at the 2008 Southeast Horn Workshop I enjoyed meeting one of the sons of the late Milan Yancich, Mark Yancich, who is the current owner of Wind Music. He is the timpanist of the Atlanta Symphony; his brother Paul is timpanist of the... - Play in Orchestra and Band?
A question that comes up when people compare schools is that of playing in orchestra or band. I feel there is much to be learned in both ensembles, both can be valuable experiences. As an undergrad in particular much can be learned working out your music... - Doug Hill Visits ASU
Yesterday Douglas Hill was at ASU for a day of master classes and sessions. We had a good crowd with over twenty area hornists joining the ASU horn studio for the sessions, including students from NAU and U of A. Many different things could be carried... - Cutting Slides
Sometimes you will need to cut or lengthen slides on brass instruments. I have seen this on a number of instruments over the years. Recently I purchased a classic Conn 16E Mellophonium for some jazz experiments. I went ahead and “did the deed” this morning, and cut three... - Is the French Horn the Hardest Instrument to Play?
I can’t say how many times I have heard or read this phrase. The presumption being that because horn players make mistakes and “crack” notes that the instrument is difficult to play. And almost every time I hear people claim that the French horn is the... - Dr. Deanna and Promoting the Horn
Yesterday I had a very enjoyable time in the Doctoral oral defense presented by Deanna Swoboda, who is currently Assistant Professor of tuba/euphonium at Western Michigan University and formerly served for six years as tubist of The Dallas Brass. Deanna has been working on ways to...





