Good Students Make Good Teachers


When choosing a school for advanced study one element that students consider is that of finding a teacher that will help prepare them to win a job. I know I try to do my best in regard to this with every student, and I feel confident that I have students in the ASU studio now that will make a mark in the horn world. They are working on the right things and will take their playing up to a high level.

I studied with a variety of teachers, in fact had lessons with over a dozen teachers over the years. And I have taught students that have worked with many other teachers. One fact that is rarely publically addressed in relation to this topic is that not all famous/successful horn teachers are actually good teachers. I am not going to name names but the fact is I am convinced that there are very famous teachers that can’t teach, communicate their ideas poorly, grandstand excessively, or more or less only coach students, seeming to be more concerned with building up their own careers than those of their students. Big personal problems of various types are often a part of the mix, relationship issues, chemical dependencies, etc. There are teachers out there that I don’t believe would have had the success their record shows without having had a number of very talented and motivated students basically stumble into their studios that needed at that point in time very little actual teaching–students that would have won jobs having studied with virtually anyone.

That all said I have met people that did not like their studies with several teachers that I consider to have been among the best teachers I ever encountered in my studies. Why? The fact is that different people will mesh with different teachers. And some will only be happy if they study with a “famous” teacher. That is just the way it is.

Again, I don’t want to name names here but just offer the gentle advice to not be overly impressed with the statistics that are trotted out. They can mean something but may mean little more than they (or the institutions they teach at) have been able to maintain a selective program with good students. Sure, a string of successes is a good thing but it really does not mean that any given teacher would be a good teacher for you.

JOHN ERICSON has wide-ranging experience as an orchestral player, soloist, and teacher.» About John Ericson » More articles » Horn Notes Edition » Contact

Related to this article


  • Quote of the Week–Yeo on Good Students and Good Teachers
    As the year starts it is a great time to think about goals and how to reach those goals. Self evaluation is always in order. In relation to that, an article in the Douglas Yeo trombone site is well worth pondering for all horn teachers and...
  • Pet Peeve: Teachers who don’t Teach Technique
    In my continuing series of posts on pet peeves we have arrived at the topic of teachers who don’t teach technique. First, this post is not meant to be one that points fingers at any specific horn teacher. There are many reasons why some students progress...
  • Very Good News from ASU
    Yesterday afternoon I was officially informed that I will be promoted in rank from Assistant Professor to Associate Professor and granted tenure effective with the 2007-08 academic year. It has been quite a process–gaining tenure in my former position in the Nashville Symphony was not nearly...
  • What is a Good Tone on a Mellophone?
    Here is a topic that you won’t see often in a horn blog—tone on the mellophone. I have a very clear idea of what a good horn tone is. A big part of my horn teaching is working with students to develop their best sound. One...
  • Make Your Mark, Use Your Pencil Wisely
    A guide to marking your music with tender loving care. One of the most important tools to have at a music rehearsal is a pencil. It is required to mark the music with indicators that are unique to your performance. These markings can be anything from...
  • The Two Approaches to the Horn Embouchure
    The description of the embouchure as described by Philip Farkas is well known. However, one fact, little spoken in the horn community, is there are essentially two approaches to the embouchure, one that Farkas describes and another described by Gunther Schuller and others. Read the two...
  • Good News from the IHS
    I had a pair of good news items from the International Horn Society late this week. The best news was finding out that I was elected to the Advisory Council of the IHS. This is certainly and honor, and I wish to thank those that voted...

Comments ()


John Ericson & Bruce Hembd
on the French horn, brass related topics, and the field of classical music.