Archived under: History, Horn and music history, Natural horn
Hand Horn Technique and the Baroque Horn
This summer I expect to write a number of posts on the natural horn, it will be one focus of my practice time. I recently had several natural horn related questions forwarded by a blog reader, one of which was about if right hand technique was used on the Baroque horn.
Conventional wisdom would be that players in the Baroque did not use right hand technique. The first time I picked up a copy of a Baroque horn in my own hands to play it I assumed from what I had read in older sources that it was not designed for hand-stopping and that it would be difficult to insert the hand in the bell. Which was not the case at all; actually it would be very possible to play using hand horn technique on a Baroque horn, which would be quite handy for correcting the natural intonation problems of harmonics on the natural horn.
There is ample evidence available today to say that hand horn technique was known by ca. 1720, well before the end of the Baroque. One of my favorite articles ever is online and covers this topic in some depth, Nodal Venting on the Baroque Horn: A Study in Non-Historical Performance Practice by Richard Seraphinoff. Vent holes are used by some players to correct for intonation problems on Baroque horns, but are in fact a modern invention and are not authentic to the period. He covers this topic quite thoroughly, this quote being a favorite of mine,
My own approach to the Baroque horn is that I will play with vent holes when requested by a conductor or leader of an early instrument group. But when given the choice, I prefer to work under the assumption that by using hand stopping, I am emulating the technique of the best horn players of the Baroque era. We must give the players of that period the benefit of the doubt and assume that they were clever enough to try the experiment of putting the hand into the bell to correct intonation when asked by a conductor or violinist or oboist to “please do something about those out of tune notes,” a request that was probably made more than once in the early part of the eighteenth century. Job security has always been the mother of invention.
Hand horn technique was certainly known in some form very early on. Read the full article for more on this topic.
Related to this article
- Two Baroque Horn Concertos that Should be Performed More Often
If a Baroque concerto is heard, it is most often the Telemann or maybe the Forster. These are fine works but there are alternates that really should be played more often, they are better works than a lot of the music trumpet players perform from the... - Hand Position Drift
I am through my first rehearsals and master class of the trip to Asia. The topic that has come up the most for me in terms of horn technique has been right hand position. Many players (not just here) seem to suffer from what I refer... - Pet Peeve: Teachers who don’t Teach Technique
In my continuing series of posts on pet peeves we have arrived at the topic of teachers who don’t teach technique. First, this post is not meant to be one that points fingers at any specific horn teacher. There are many reasons why some students progress... - The Mid-low Register and Technique Development
An observation: there are horn teachers who don’t work with their students much on technical development. This is a shame. There really is a place for etude and scale study, multiple tonguing and low range exercises, etc., with students of all levels. The plain fact is... - Brief Thoughts on Hand Straps and Flippers
I get asked fairly often about “straps” and “flippers,” devices that aid in holding the horn in a more ergonomic manner. For years I avoided using a strap or flipper, figuring that I would use extra pressure if I had one. When I finally changed to... - Improve Left Hand Comfort with a Strap or Flipper
Today I posted an article on the IHS website, an “online exclusive,” “Median and Ulnar Neuropathies in University Brass Players.” The article is somewhat medical reading but in short relates to carpal tunnel syndrome and other related stresses. The observation I would add is as a... - Telemann Wrote a Lot of Music for the Horn
A few weeks ago a question came up on “the hornlist” about Telemann and his works for horn. Someone asked what else there was out there besides the Concerto in D. A couple things came up in the replies but I did not have time at...





