Clarinet Soft


Listening to the special master class today at ASU with the Juilliard Quartet and members of the wind, horn, and bass studios reading the Schubert Octet reminded me yet again the importance of soft playing! There are lots of spots that have to be “clarinet soft” in this work, one in which you will find that you never get louder than “mezzo something” as a horn player. We must master the extremes of soft and loud; this is essential.

JOHN ERICSON has wide-ranging experience as an orchestral player, soloist, and teacher.» About John Ericson » More articles » Horn Notes Edition » Contact

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John Ericson & Bruce Hembd
on the French horn, brass related topics, and the field of classical music.